Or they are known to possess a certain object because they are hoarders. However, depending on the situation during the climax, they have a particular characteristic about them that is necessary to solve the problem. He or she is thought of by other characters as irrelevant. Understand?Īnother way could work if a character is portrayed as useless to the story. The main character with a role like that would take up the entire story, making it a plot-not a subplot. This would work better if it were for a minor character. He could grow into a tough guy that faces his fears. That is critical.įor example, if you introduced a character as a simple guy with no confidence, then his character arc could lead him to help slay the dragon in the end. It would be a mistake to allow the reader to find out too soon that the character is special. Whatever path you choose for the character, you should make it clear through plot, action, and dialogue that the significance of the character may exist, but you need to throw the audience off at the same time. Will he be revealed as a prince that can marry the princess? Will she discover some type of power about herself that can defeat the villain? The problem is deciding what special role the character will play in the end. To work this subplot into the story, you will have to begin early-I mean as soon as you show the specific character that will somehow be of significance at the end. This way will require more character depth from the writer. This subplot method could bring the story to a climax that acts as a teaching tool for the reader.Ī little bit more difficult than using an object to weave into the climax. That is until the end when the owner of the photo has a change of heart and decides to part ways with the photo. Relationships are destroyed and everything crumbles.
From there, bad blood and family feuds begin. For example, if an object-a family heirloom (a photo)-has shown relevancy to the characters, but the owner of the photo does not want to part with it. The revealing of the object’s importance doesn’t need to save the world or kill the dragon, but it can heal relationships between family and friends.The object subplot also works well in literary fiction. Usually, the object will have some sort of backstory that the characters either don’t care about or have not solved correctly to use the object properly. Maybe it will kill the villain or slay the monster or send the ghost back to its dimension.
In this case, the object should have some type of positive effect on the characters. When the story reaches its finale, the characters can learn that the object they have been disregarding all this time actually means something important.The object subplot works well in mystery fiction and fantastical or supernatural stories. The object needs to display its irrelevancy a few times to solidify to the audience that it is seemingly worthless. That is not enough to pack a punch during the climax. It cannot be shown as having any value once and then forgotten until the end. They likely do not care about the object’s importance. They can show how the object has no importance to them and the world. Characters can physically attack the object. And if it does have a purpose, it is not important to the story.įor example, you can show how the object has no value. The plan is to devise a subplot that revolves around an object. Read along to find out how you can create a great subplot to enhance the end of the story.
#SUBPLOT IN A STORY MOVIE#
Have you ever read a book or watched a movie and learned that a seemingly irrelevant subplot ties into the main story in a huge way? Those are the best because it takes the audience by surprise because the answer was right in front of them the whole time. But, in my opinion, a good subplot can affect the intensity of the climax of your story. They can display how economic and political actions affect others. They can highlight relationships with your protagonist and side characters.
#SUBPLOT IN A STORY HOW TO#
If you want to tell a damn good story, then learn how to incorporate a subplot.
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